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Archive for the ‘New York Tattoo’

Woman who can’t tell ‘right’ from ‘left’ finds handy way to remember – New York Post02.04.21

Tats useful.

An Australian woman who struggles to distinguish right from left got the directions tattooed on her hands to ensure that she never confuses them again. A photo of her handy tattoos racked up over almost 4,000 likes in less than 24 hours.

It started as a joke but its actually super useful and I dont look dumb making an L with my fingers to figure it out, DKodia Laine told the Daily Mail of turning her hands into instruction manuals.

Since she was little, the 23-year-old Canberra native had reportedly been teased over her inability to differentiate left and right. However, things came to a head during a scavenger hunt with friends last year, when Laine instructed the driver to take a few wrong turns.

A quick-thinking friend gave her a hand a la the movie Memento by writing R and L on her respective mitts, prompting the communications student to joke that she should get the directions inked on. After mulling it over, she indeed decided to make the solution permanent.

Laine got her instructional body art done by Sydneys Lauren Winzer, who posted photos of the tattoos on Instagram on Feb. 3. She wrote: Not only are tattoos cute, but they can also be super functional !!! good luck with all ur future directions happy to help guide you@dkodia.

Laines friends had amusing reactions to seeing her new ink for the first time.

I just got a lot of laughing back and [messages like], oh you were being serious!' she said. Laine added that her boyfriend is grateful that now he wont get secondhand embarrassment from her directional dyslexia.

Social media lauded her permanent markers.

I love this! I definitely need to do this myself commented one.

Others tagged their direction-challenged friends in the comments.

Could come in handy, quipped one wit.

Based on the comments on the photo on Laurens page it seems to be a tattoo a lot of people are saying they need so I dont feel too dumb now, Ms. Laine said.

And in the realm of irreversible ink jobs, hers is a lot more understandable (not to mention, safe) than this gentlemans Avatar-evoking full body tat or this grotesque eyeball tattoo that left a woman unable to see.

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Was Brian ‘Q’ Quinn a New York firefighter? The ‘Impractical Jokers’ star was once arrested in Germany – MEAWW02.04.21

The oldest among the four friends who comprise the comedy troupe The Tenderloins, Brian Michael Q Quinn has a glorious past. Before joining 'The Tenderloins' officially in 2006, Quinn served with the New York City Fire Department as a firefighter for eight years.

Born on March 14, 1976, in Brooklyn, New York, Quinn moved with his family to Staten Island at the age of two, thus making all four members of The Tenderloins residents of Staten Island. Quinn belongs to Irish-Italian descent.

He attended Monsignor Farell High School along with Joe Gatto, Sal Vulcano, and James Murray the other three stars of Impractical Jokers. They were close friends in high school and members of the schools Improvisation Club.

After graduating high school, Quinn went on to pursue higher education at Brooklyn College. He later joined the New York City Fire Department as a firefighter. He is quite proud of his stint as a firefighter and still contributes regularly to the FDNY as a sign of respect and gratitude. Since the launch of Impractical Jokers, Quinn has donated around $50,000 to the FDNY. He also occasionally makes sure to catch up with his former co-workers and fellow firefighters.

Quinn joined 'The Tenderloins' in 2006 as the fourth member, after former member Mike Bocci left in 2005.

Quinn has been vocal about his battle with depression for years. He also admittedly suffers from arachnophobia, fear of spiders. There was a time when he suffered from critical encephalitis and meningitis that led to a delay in filming of Impractical Jokers. He even skipped a few challenges due to his health issues.


'Impractical Jokers' Season 9: Release date, plot, cast, trailer and all you need to know about your favorite prank show on truTV

Among the four Impractical Jokers, Quinn was the first to lose his virginity. The girls identity is unknown to the public but it has come to light that she was in prison in 2013.

In 2009, Quinn was arrested in Germany for disorderly conduct after getting into a brawl. He was escorted back to America by German Police and here his friends, the other members of 'The Tenderloins', bailed him out.

Quinn is an avid car lover and owns eight different cars. He is also a pet parent to three cats which even led to a punishment tattoo on the show that said: 38. Lives alone. Has 3 cats.

A fan of author Hunter S Thompson, Quinn refuses to eat peanut butter or sushi at any cost.

Impractical Jokers Season 9 premieres on February 4 at 10/9C on truTV.

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Science Meets Magical Realism in Son of Monarchs – Scientific American02.04.21

Every year millions of monarch butterflies migrate from the northeastern U.S. and Canada to the mountain forests of Mexicos central highlands. In breathtaking swarms, they seek warmer lands where milkweed grows and they can matean annual pilgrimage spanning upward of 2,500 miles. The new film Son of Monarchs, starring Tenoch Huerta of Narcos: Mexico fame and directed by French-Venezuelan biologist and filmmaker Alexis Gambis, is set against the backdrop of this great wildlife migration.

This stunningly photographed semi-autobiography draws on CRISPR-Cas9-mediated genome research into the iconic butterflies to step into a narrative about hybrid identities, diminishing spaces, social evolution and divided territories. The film goes, in the directors own words, from the vein of a butterfly wing to the border between countries.

Son of Monarchs follows Mendel (yes, an allusion to that Mendel), a New York Citybased Mexican biologist portrayed by Huerta. He returns to his hometown of Angangueo, a small village nestled in the mountains of Mexicos state of Michoacn, following the death of his grandmother.

The journey south of the border forces Mendel to confront a strained relationship with his brother, as well as dark memories of his parents death in a mining disaster. Through encounters that bring him face to face with a version of himself that he had once left behind, Mendel slowly spirals into a spiritual metamorphosis, a journey inspired by the monarch butterflys own, in search of personal truth and identity.

Science is the canvas upon which Gambis paints his story of Mendels departure and return, each eventual and painful in its own way.

Much of the films scenery unfolds along seemingly opposing poles: In New Yorka comfortable, welcoming refuge away from home for Mendelwe peer inside petri dishes containing severed butterfly wings through the lenses of microscopes within white-walled, sterile labs. And in Michoacn, we are taken along gaslit cobbled streets, flanked by old houses with red-tiled roofs, and to the foot of majestic oyamel fir trees where the monarchs cluster in thousandsthe air heavy with their presence.

Each layer of storytelling, from the mesmerizing scenery of the lush butterfly forests of Michoacn to the wistful musical score to the metaphor-rich script, adds to the experience.

Gambis, a seasoned science communicator and storyteller, manages to strike a delicate balance in tone rarely seen in science-driven movies. The brutality and precision of scalpels decapitating, slicing through and cutting into fragile butterflies, scaled up dramatically, is tempered with sunlit scenes of the monarchs roaming freely in their natural habitats. The discussions of CRISPR-Cas9 and the uneasy relationship nonscientists have with manipulative genetics, as well as consideration of walls and regional politics, do not distract from the human stories or impose on the characters exploratory conversations.

Gambis says that science, particularly the science of evolution, is his way of wading into difficult conversations about politics, culture and gender. Son of Monarchs is his case in point.

In the film, Mendel, much like Gambis himself, straddles two worlds. He is pulled apart by fascination with the newrepresented by the discoveries he makes about genes in state-of-the-art science laboratoriesand the romance and specter of his roots and cultural heritage. In reconciling his identities, Mendel is forced to look within, opening old wounds and dusting off painful memories.

At the end of the grueling journey, Mendel finally embraces his hybrid identity. In shedding layers of himself, he is born againemerging as an evolved creature and a product of two worlds: half-man, half-butterfly. The slow and deliberate transformation manifests on his skin as he uses ommochrome, a biological pigment harnessed by butterflies, to tattoo his body. In one dreamlike hallucinatory sequence, the rusty orange tinge of the monarchs wing spills over into his physical reality.

The film is a commentary on what it means to be an alien at home and awayan immigrant at the precipice of personal evolution in a time of turbulent politics. Gambis says he wanted to challenge stereotypes about both Mexicans and scientists by featuring a young Latino man as the lead biologist in the drama.

The danger-fraught cross-border journey of monarchs alludes to immigrants struggles and their right to free movement. In March 2016 millions of the butterflies in two overwintering colonies died during extreme rains and snowstorms. Monarch populations have dwindled dramatically because of pesticides and the unrelenting climate crisis.

In this film, the butterflies are at once a symbol of fragility and resilience, of experiencing mortality and conquering adversity. On their return north, each new generation of monarchs carries the long migration forward. The generation that begins the journey is not the same as the one that arrives.

Despite living at the intersection of fantasy and realism, the elements of fiction in Son of Monarchs do not extend to science. The labs are real (in fact, the lab scenes were all shot inside New York University, with scientists hands making cameos in scenes showcasing butterfly dissection). The research featured in the movie is based on real-life attempts to design living butterfly wings through pinpointing and editing gene networks that generate their transfixing colors and patterns. As Mendel explains it in the film, Imagine painting a butterfly with numbers.... The coloring instructions are written in the genetic code.

Optix is the master regulatory gene at the center of Mendels research (and of many allegorical conversations about the nature of change and evolution in the film). It controls wing pattern variations in butterflies and is believed to hold the key to unlocking the secrets of selective wing mutations. When optix is deleted, the butterfly is rendered ghostly and nearly transparent, a shell of its former self.

The film played out in Gambiss mind for years before he had the resources to make it. After several other projects, including a trio of shorts about monarchs and an interview with CRISPR-Cas9 co-discoverer and Nobel Prize winner Emmanuelle Charpentier, the story of Son of Monarchs was finally on the wing.

Production took three years and was often interspersed with pauses to raise money to continue the project. Labocinea video-on-demand platform and magazine founded by Gambis that is dedicated to science fiction and nonfiction filmsproduced Son of Monarchs. And it was filmed in Mexicos Monarch Butterfly Biosphere Reserve, a sanctuary with protected microclimates between Michoacn and the State of Mexico where millions of butterflies overwinter and roost.

The movies production team included scientists at the reserve, N.Y.U., Cornell University and the National Autonomous University of Mexicos Institute of Biology, as well as the Marine Biological Laboratory.

The monarch butterfly, which Mendel pores over and scrutinizes under the microscope, is the beating heart of this storythe subject of Mexican lore and an object of study at the frontiers of biology. Son of Monarchs pays homage to the butterfly as both las Muertitas, or the souls of the dead that comeback to visit loved ones, according to legend, and as an animal model helping scientists uncover the underlying mechanisms of genetic evolution.

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How to Draw Literary Cartoons – The New Yorker02.04.21

In a recent interview with the New York Public Library, Amy Kurzweil described her cartoons as studies in erudite silliness. Well, Kurzweil is certainly eruditejust check out those pencil-nub earrings (Blackwings, no less, favored by the likes of John Steinbeck, Truman Capote, Stephen Sondheim, Vladimir Nabokov, and Amy Kurzweil). Also, delightfully sillyjust look at her earrings. Theyre pencils! Who better, then, than this fiction-M.F.A.-holding artist to offer a tutorial on drawing hilarious cartoons about characters from literature and about the literarily minded. It can be a dangerous endeavorpeople dont always love to see how you think Mr. Darcy looks. (Colin Firth or bust!) Others, including a seriously un-silly woman Kurzweil once encountered, may publicly accuse you of stealing Maurice Sendaks Wild Things and demand that you be ashamed. Luckily, Kurzweil has suggestions for handling that, too.

Emma Allen, New Yorker cartoon editor

Do you draw with your left or right hand?


What art do you have hanging on your studio walls/above your drawing desk?

A wood painting of Borges that a friend made for me that cracked and I glued back together. Then a million of my own cartoons tacked up with string, because Im too lazy to put any of them away in my labyrinthine cartoon-filing system.

Do you snack while you draw? If so, on what?

I dont snack while drawing. Should I be snacking? Surely Id get potato-chip grease on the pages.

Do you listen to music or podcasts while you draw? If so, specify.

While I sketch, I sit in silence, like a weirdo. Music tends to make me want to dance, which can be distracting. When inking, I like listening to podcasts: I really like personal-story shows like Heavyweight and anything from Mermaid Palace.

What object or setting do you absolutely hate drawing?

I dont like drawing straight lines! I prefer fleshy things like, people and animals. The worst things to draw are phones, especially if people are holding them with their hands, as they always are.

Whats your favorite New Yorker cartoon trope or clich (e.g., desert island, grim reaper, Rapunzel tower)?

Ill go with the Moby Dick trope, because whales are easy to draw, and I like a good metaphor for the unattainable.

If you could have dinner with one cartoonist, living or dead, tonight, who would it be?

Is this, like... Are you arranging a thing? Can you see if Roz Chast is available? Also Chris Ware?

What would you serve?

I have to cook?!

What was your favorite cartoon (strip or animation) as a kid?

I loved Life in Hell, by Matt Groening, and Bill Wattersons Calvin and Hobbes, of course.

What did you spend your first New Yorker cartoon-sale check on?


If you had to get a tattoo (or new tattoo) right now, what would you get?

Me? A tattoo? Who am I, a cool person? I dont like pain.

Dogs or cats?


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Skin in the game: why getting a tattoo helped me achieve my goals – The Guardian01.05.21

There are few things I dread writing more than book proposals. What could be more anxiety-provoking than writing what is essentially a lengthy book report on something you havent written yet?

Last year, as I was slogging through a proposal for the memoir-in-essays Ive wanted to write for my entire career, I made a bargain with myself: get yourself a book deal, and you can mark the occasion with a new tattoo.

This June, I got the good news: Heliotrope wanted to publish my book. I was thrilled and I was itching to celebrate by getting inked. But at that time, tattoo parlors in New York were still closed due to Covid-19 restrictions.

This was just another of so many letdowns in a hellish year. Thanks to the spread of the coronavirus, Id already had to shutter the co-working space for writers Id proudly opened in 2017, a place where Id been incredibly productive, and where I could easily socialize and network with colleagues. The virus had also contributed to severe budget cuts at the literary website where Id been an editor for over five years; these and other factors led to my departure. Unable to safely and easily spend time with my family, friends, or colleagues, I found myself perpetually lonely and depressed.

Whats more, an overwhelming number of anxiety-provoking external factors the threat of the virus, escalating police brutality against Black Lives Matter protesters, a fraught election followed by false claims of fraud, and so much other bad news made it the hardest time to concentrate and write.

I yearned for the ritual of getting a tattoo and I had the perfect design in mind: a rudimentary typewriter that Ive been doodling in crayon for years. Ive used the image before as a logo for a writers group I ran in the early aughts; on the first iteration of my website; on stationery. Now I wanted to get it imprinted on my left forearm to commemorate signing, at the ripe old age of 55, the first contract for a book filled exclusively with my own writing (Id published anthologies before, but they were mostly filled with essays by others), and to help me commit to getting it done.

Theres something galvanizing about having images and words permanently scrawled into your flesh. It sends your mind the message, I mean business. Tattoos had helped me commit to my writing before. Id gotten my first one in 2012, on my right forearm, with a quotation Id come across on candles, journals, mugs and other inspirational doodads: And the day came when the risk to remain tight in a bud was more painful than it took to blossom.

I thought it had come from Anais Nin, but learned years later that it is actually the work of Elizabeth Appell, a poet who had worked at a college that specialized in continuing education in California. That line was from a poem she wrote in the 1970s called Risk, which she included on a flyer meant to encourage adults to go back to school.

Ultimately it didnt matter whose words they were. They spoke to me as a writer who had long stifled myself over fears of how people might react to my published thoughts and recollections. Id grown tired of making myself small, of hiding, of exerting most of my creative energy ghostwriting other peoples memoirs and proposals but avoiding my own. I was ready to risk blossoming. I needed to make it more official, with ink on my skin.

It worked. I began writing and publishing my own essays in a more brave and serious way than ever before. I also got right to work on two anthologies about loving and leaving and staying in New York. Each included an essay of my own, in the company of pieces by much more celebrated writers.

I got my second tattoo the week before my 50th birthday. Its a Japanese brush art rendering of cherry blossoms, blooming. That year, I published even more personal work, about things like making peace with my aversion to motherhood.

After signing my book contract this June, I was ready for the typewriter tattoo. New York tattoo parlors were allowed to reopen in July. But the continued spread of the virus gave me pause.

I got to work on my book, but struggled. Once again, Id taken on too much editing of other peoples stories to write my own. Finally, in November, I cleared my decks to commit more deeply to my essays. The urge to visit a tattoo parlor grew stronger. One afternoon, on a whim, I called Metamorphosis Tattoos, in Kingston, New York, where I live. Initially, the woman who answered said there were no open appointments until mid-January, but then she paused. Actually, we have a cancellation this afternoon, she said. How soon can you come in?

I asked about their adherence to Covid-19 protocols, and the woman assured me that they took the greatest precautions. Fifteen minutes later I was sitting in Tania the tattoo artists chair.

Tanias tattoo pen buzzing away, I grew elated. I was letting go of the self-abandonment that had kept me from writing my truth for over five decades. It gave me a thrill, and it gave me the sense of self-determination and self-assurance that I needed.

Since that day, Ive felt emboldened, writing more bravely and steadily than ever. Yes, its still hard trying to stay focused these days, when theres so much illness and fear and bad news. But Im making progress every day. When Im not writing, I cant stop staring at my lovely new ink.

Sari Botton is a writer, editor and teacher living in Kingston, New York. Her anthology, Goodbye to All That: Writers on Loving & Leaving NY, will be reissued in April 2021 with seven new essays. Her memoir-in-essays, And You May Find Yourself, will be published by Heliotrope in 2022.

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Celebrate New Year’s Eve with the stars of Broadway – DC Metro Theater Arts01.05.21

Though Times Square will be closed to crowds for New Years Eve and you wont be able to watch the iconic ball drop in person this year, you can still celebrate the arrival of 2021 in New York style, with a roster of Broadway stars, special events, and music videos on TV and online.

This year marks the 49th anniversary of Dick Clarks New Years Rockin Eve, New Yorks most popular New Years tradition (and the most watched nationwide), culminating in the annual dropping of the ball at midnight. Based in Times Square, the six-hour show, airing on ABC TV from 8 pm to 2 am EST, gives viewers a look at New Years celebrations throughout the country and around the globe, and shines a spotlight on performances of the years best in music. Ryan Seacrest returns for his sixteenth year as host, joined in Times Square by singer and screen star Lucy Hale (Pretty Little Lies) and stage and screen sensation Billy Porter.

Porter will reunite with Cyndi Lauper (who won Tony Awards for respectively starring in and composing the music and lyrics of the Tony-winning musical Kinky Boots) for a live duet. The evening will also feature a headline performance by The Bronx native Jennifer Lopez, just before the countdown to the ball drop begins. To ensure the safety of the cast and crew, all guidelines set forth by national, state, and local health officials will continue to be followed and implemented during the production, along with additional safety measures instated by dick clark productions.

As part of the Times Square Alliances Times Square New Years Eve webcast, Broadway actress and singer Jennifer Snchez, most recently seen in The Rose Tattoo, will debut the new music video for her pandemic anthem Heartbeat live in Times Square at 6:30 pm. The original song, selected as a finalist and the Audience Choice Award winner in the TSAs livestreamed Songs for Our City songwriting competition in June, pays tribute to the New Yorkers whose lives have been lost and affected by the coronavirus and the resultant shutdowns, while sharing an empowering and uplifting message of resilience and solidarity.

The video, commissioned by the TSA, with videography and editing by Gregg Monteith, depicts scenes from Times Square and features real New Yorkers (including Jason Clark, Co-Owner of Hold Fast Kitchen and Spirits; Ruth Levy, a Nurse Practitioner at Mount Sinai Hospital and a first responder in one of the hospitals COVID wards; and Rob White, a Times Square Alliance Sanitation Maintenance Worker), who are continuing their work each day to keep NYC running. Directed and choreographed by Broadway veteran Yani Marin, Jens heartfelt performance is complemented by Broadway dancers Angelica Beliard, Natalie Caruncho, Albert Guerzon, NaTonia Mont, Fredric Odgaard, Brett Sturgis, and Marin, along with musicians Mariana Ramirez on percussion, Danielle Andrade on bass, and Kevin Ramessar on guitar.

Jen told me that its been such a labor of love and such a gift to be able to work on this with these great people. For me, the miracle was that everyone the workers and the best of Broadway said yes, and showed up at the crack of dawn in Times Square to make the video. The generosity of everyone involved has been wonderful, and it made me feel less alone. The message of the song is a big thank you to everyone who keeps going and coming together in these strange pandemic times. Viewers are encouraged to donate to NYCNext, an organization working to help the city recover, rebuild, energize, and inspire others to act.

Performer and impresario Jim Caruso has been a steadfast virtual presence during the pandemic, with his weekly Pajama Cast Party on YouTube and, since April, the Radio Free Birdland pay-per-view virtual concert series. To celebrate the New Year, producers Ryan Paternite, who directs, and Jim Caruso, who hosts, have created The Best of Radio Free Birdland, a compilation of fifteen of the best clips from the shows first season, which has featured 40 of the finest Broadway, jazz, and cabaret performers, all filmed with three cameras and no audience on the Birdland stage on West 44th Street. Broadway performers on the New Years Eve special include Christina Bianco, Sierra Boggess, Reeve Carney, Nikki Renee Daniels, Aisha deHaas, Amanda Green, Telly Leung, Eva Noblezada, Laura Osnes, Kate Rockwell, Christopher Sieber, Billy Stritch, Paulo Szot, Max Von Essen, and Jessica Vosk.

The Best of Radio Free Birdland streams on Thursday, December 31, and will remain on demand through Sunday, January 3. Tickets (priced at $10) are available online. Proceeds raised will help to keep Birdland (founded in 1949) afloat during the COVID-19 closure.

These three selections to ring in the New Year in New York should keep you entertained without having to leave the safety and comfort of your own home. Happy New Year to all, and heres to a better 2021.

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California judge rejects tattoo artists’ bid to beat COVID-19 closures on ‘free speech’ grounds – New York Post12.28.20

Tattoos may indeed be free speech, but the publics safety is more important, a judge has ruled in a strange COVID-19 closures case.

A California judge this week rejected a lawsuit by a group of Southern California tattoo shops, which had hoped to stay open despite pandemic restrictions by arguing their work is protected under the First Amendment, according to the Los Angeles Times.

U.S. District Judge Dale Fischer nixed their claim, ruling instead that public safety trumps the shops First Amendment argument leaving the shop owners wondering how to stay afloat as COVID-19 cases in the state spike.

The shops can continue to plan and design tattoos, Fischer ruled. They just cant actually tattoo customers.

Plaintiff Glenn West, whose owns Palace Art Tattoo in Thousand Oaks, told the L.A. Times hed recently taken a trip to a crowded Target, and believes his own business was much safer.

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The Glasgow ‘society tattooist’ admired by Billy Connolly and the upper classes – Glasgow Times12.28.20

1 Pioneering tattoo artist Prince Vallar is one of Glasgows most intriguing characters from city life between the two World Wars. Born Patrick Henson in Ireland in 1888, the son of Stephen Henson, and Henrietta Rosine, he would later take the name Vallar from his grandfather John.

2 According to Terry Manton , who is researching Prince Vallars story, by 1911 he was calling himself a society tattooist, reflecting a fashion for tattoos among the upper classes. He visited his clients at home. To keep up his business, in September 1915 he visited Edinburgh and opened what would now be called a pop-up tattoo shop on Leith Walk.

READ MORE: Heroic Glasgow minister who links city to Titanic disaster

3 On May 27, 1912 at the age of 23, Prince Vallar left Glasgow for New York, with 100 (8,000 in todays money) in his pocket. Terrys research reveals that by December, he was back and working at Glasgow Zoo, a favourite location for visiting tattooists since 1892.

4 In 1935, he set up a tattoo parlour at 404 Argyle Street where he catered for sailors and members of the working classes. In her book, Billy, Pamela Stephenson reveals Billy Connolly used to stand outside Prince Vallars studio admiring the human body art, and longing for his own tattoo, although he never went through with it. Newspapers reported in 1936 that Prince Vallar has completed his 50,000th subject and that his longest tattoo had taken 36 hours, working in four hour shifts - a representation of the Garden of Eden on a mans chest.

READ MORE: Hidden heartbreak of Glasgow author Catherine Carswell

5 Prince Vallar tattooed in the Argyle Street parlour for 12 years up until his death in 1947 aged 59 years. Terry says: He had developed a unique style of tattooing that was instantly recognised worldwide. His fine, single needle, sketch-like designs with simple colouring were admired and copied by many. He had marked the skin of thousands of sailors, soldiers, merchant seamen and travellers from Russia to Hong Kong.

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Shutdown averted as Trump signs Covid bill, vows to push for $2G checks from Congress – Fox News12.28.20

Good morning and welcome to Fox News First. Here's what you need to know as you startyour day ...

Trump signs Covid bill, averts shutdown, will continue to push for $2G checks from CongressFive days after calling the coronavirus bill a "disgrace," President Trump signed the massive $900 billionCOVID-19 relief and $1.4 trilliongovernment spending package Sunday night.

The president's decision to sign the package will avert a government shutdown, restoreunemployment benefits, stop evictions, provide rental assistance, add additional funding to the Small Business Administration's Paycheck Protection Programand invest in vaccine distribution, among other items in the bills.

Trump has also sent a "redlined version" of the bill to Congress, which includes an item by item breakdown and formal rescission request insisting that any "wasteful items" be removed from the bill.

"As President, I have told Congress that I want far less wasteful spending and more money going to the American people in the form of $2,000 checks per adult and $600 per child," Trump said in a statement issued by White House Deputy Press Secretary Judd Deere on Sunday. "Much more money is coming. I will never give up my fight for the American people!"

On Tuesday, Trump slammed the $900 billion relief bill as a "disgrace" and claimed it has "almost nothing to do with COVID."

"Congress found plenty of money for foreign countries, lobbyists and special interests while sending the bare minimum to the American people who need it," Trump said.

However, House Appropriations Committee Chairwoman Nita M. Lowey, D-NY, said that she and her committee's Democratic majority plan to reject the president's request. CLICK HERE FOR MORE ON OUR TOP STORY.

In other developments:- President Trump signs COVID relief, spending bill averting shutdown. So what happens now?- Illinois restaurant owner says limited coronavirus stimulus will cause middle class to 'starve to death'- Beverly Hills restaurant caught planning 'discreet' New Year's dinner amid dining ban- Barstool's Dave Portnoy launches $500K fund to aid small businesses hit by pandemic

Nashville bombing suspect Anthony Quinn Warner died in explosion: policeThe suspect behind the Christmas Day bombing in downtown Nashville has been identified as 63-year-old Anthony Quinn Warner, authorities confirmed during a press conference Sunday.

Police said Warner owned the RV that exploded in downtown Nashville early Friday, and that he died in the blast.

Human tissue was found amongst the debris left behind by the explosion, and DNA examinations of tissue samples by The Tennessee Bureau of Investigation and FBI were found to be consistent with Warner. In addition, the Tennessee Highway Patrol uncovered a vehicle identification number from the remains of the RV, which revealed it was registered to Warner.

Authorities said that, while they are still following leads, there is "no indication" that any other people were involved.

Police added that a motive for the bombing remains unknown and that officials are looking to speak with anyone familiar with Warners ideologies. Police are interviewing individuals identified to have been known by Warner and are still processing evidence from the scene. CLICK HERE FOR MORE.

In other developments:- White box truck playing audio 'similar' to RV in Nashville explosion shuts down Tennessee highway- LA entertainment exec linked to Nashville bombing suspect- Tattoo shop ruined in Nashville explosion after year of braving coronavirus pandemic: Its gone, owner says- Nashville family credits officers with helping them flee home moments before explosion- Nashville cops detail lifesaving moments before explosion: 'Christmas will never be the same for us'

Fauci claims his earlier herd immunity numbers were 'guestimates,' settles on 75-80 percentDr. Anthony Fauci on Sunday dismissed accusations that he deliberately moved the goalposts on when the country would vaccinate enough people against COVID-19 to reach herd immunity, saying he was previously offering "guestimates."

Reported by some outlets as a "confession," Fauci told The New York Times: "When polls said only about half of all Americans would take a vaccine, I was saying herd immunity would take 70 to 75 percent Then, when newer surveys said 60 percent or more would take it, I thought, I can nudge this up a bit, so I went to 80,85."

In subsequent interviews, Fauci has focused on the other part of that Times report in which he compared COVID-19 to measles, saying at the time that "I'd bet my house that COVID isn't as contagious as measles."

Fauci appeared on Sunday mornings "State of the Union," reiterating to CNNs Dana Bash that he based his numbers on measles not polling.

"Measles is about 98% effective vaccine; the COVID-19 vaccine is about 94%," Fauci said.

"When you get below 90% of the population vaccinated with measles, you start seeing a breakthrough against the herd immunity, people starting to get infected, like we saw in upper New York State and in New York City, with the Orthodox Jewish group, when we had the measles outbreak."

"So I made a calculation that COVID-19 is not as nearly as transmissible as measles," Fauci added, stressing that measles is "the most transmissible" virus. CLICK HERE FOR MORE.

In other developments:- Supermarket chain gives $200K in gift cards to struggling restaurants amid coronavirus pandemic- Wars, instability pose coronavirus vaccine challenges in poor nations- 'Believe in science': EU kicks off COVID-19 vaccine campaign- Coronavirus restrictions killing the party rental industry


TODAY'S MUST-READS:- Texas woman on President Trump commuting her remaining term of supervised release from prison

- Chicago violence: 7 killed, 27 shot on Christmas weekend- Long Island cops say they found burning human corpse in backyard, make arrest

- Ex-Israeli UN Ambassador Danon on what a Biden administration means for Middle East peace- Rising Democratic star Bottoms takes heat as Atlanta homicides soar- Padres to acquire Blake Snell, 2018 AL Cy Young winner, in shocking trade with Rays: reports

THE LATEST FROM FOX BUSINESS:- UK urges businesses to prepare for Brexit as companies fear disruption: report- China highly criticizes Ant Group, tells company to switch back to its mainstay payments business- AT&T to waive data overage charges for customers impacted by outages due to Nashville bombing- Could you live on the average Social Security benefit in 2021?- Wonder Woman 1984 dominates Christmas pandemic box office opening weekend

#The Flashback: CLICK HERE to find out what happened on "This Day in History."


Steve Hilton discussed how the establishment refused to accept President Trump and his policies over the last four years on "The Next Revolution" Sunday night.

"For four years they plotted and schemed to get their power back," Hilton said. "The resistance, the Russia plot, the impeachment hoax, the endless attempts to block and stop the policies that you voted for. In spite of all this, President Trump didget it done."

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Shutdown averted as Trump signs Covid bill, vows to push for $2G checks from Congress - Fox News

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Things only adults notice in Soul – Looper12.25.20

Once 22 has agreed to Joe's plan for her to earn her Earth pass, then give it to him, the two embark on a tour of the You Seminar, searching for 22's spark. Unfortunately, since finding a spark is easier said than done, 22 takes him to the Zone, the place that exists between the physical and spiritual. This, she explains, is where living humans go when they're so deeply into their activities that they literally transcend to a different plane. Joe recalls that he was in the Zone earlier that same day, right before he fell into the manhole, when he was auditioning for Dorothea Williams.

But when Joe assumes it's just musicians who get to enter the Zone, 22 quickly points out that anyone can enter under the right circumstances, including actors, tattoo artists, and basketball players. 22 enjoys disturbing people in the Zone, and takes particular pleasure in thwarting a basketball player right before he makes a basket, telling Joe, "I have been messing with this team for decades."

That team is the New York Knicks, as evidenced by a team logo that can be briefly glimpsed when the scene cuts to the player missing the basket in real time. Most kids probably won't make the connection to the NBA team's infamous losing streak, but adults will likely get a chuckle out of the implication that 22 has been the source of long-suffering Knicks fans' seemingly interminable woes.


Things only adults notice in Soul - Looper

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